Jane Hutcheon


20 Mar

Sorted Books

Jane Hutcheon

I have the words 'book deadline' written in my calendar so many times, it must look as if I write a lot of books.

I truly thought I had submitted the 90,000 word door-stop in December.  Then the publisher asked for a prologue.  Then I thought I might as well do a bit of finessing.  Then I did another round of refining.  I managed to get a full-tweak done in a long weekend.  When fellow journalist Tim Elliott (author of the wonderful, Farewell to the Father) told me he had done at least twenty drafts, I thought, "You are kidding!"  But yep, I'm sure I've done at least twenty drafts too. 

I told people I had finished the book and had come to the 'final' deadline at least four times since December.

So now it feels a little odd to be waiting while the book is at the printers in Adelaide.  

Writing a book is a like baking a cake.  

I started with some ingredients.

My ingredients were a woman named Linda McCarthy Shum, a little orphanage in China and some people with incredible stories from her network.  

This screenshot from April 2013 was our very first meeting when I interviewed her for The World.

After meeting her and asking if I could write a book about her, I decided that I should go and check out her work and the orphanage in China, just to ensure they were the correct ingredients for a book.

I visited Linda and the orphanage i Jiaozuo for the first time in October 2013.  I loved it!

'Yes' I thought.  I have the right ingredients.

But did I have the right recipe?

I spent far too long dismissing the recipe, doubting its eventual success.  Instead, I should have gone full steam ahead and followed up with a taste test.

I have baked many good cakes.  Here's one I baked earlier.

But as a life-long self-doubter I should have had more faith in the worthiness of the ingredients and my ability to make them come together.

China Baby Love may not be the perfect cake.  

But it came out just the way I wanted it.

And now I want to share it with you.





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04 Feb

What's Normal? Personal One Plus One

Jane Hutcheon

I recently asked a guest whether she'd had a 'normal childhood.'  

I was quoting something she'd said herself in a documentary.

People will often tell me they've had a 'normal' childhood.

Or they dispute that their childhood was normal.

But what is normal?

Is it nothing out of the ordinary?

What exactly is ordinary?

Apparently, normal is something between 'typical' and 'ideal'. 

I would have said my childhood, growing up in colonial Hong Kong was normal.  Nothing out of the ordinary.  Nothing to see here.

Yet when I was a child, there were violent protests by Mao's sympathiser's blocking the city centre.  Several bombs were set off to cause damage to the colonial government and its officials.  Later I remember an apartment building collapsed after days of heavy rain, killing dozens of people and injuring others whom my family knew. The morning newspaper was filled with headlines of people fleeing China across a waterway and getting bitten by sharks in the process.

Or there was the day when I was convinced people on television could look through the TV set and actually see me, so I applied to be part of a children's TV show so that I could be sure of this incredibly phenomenon.

Maybe my childhood wasn't so normal?

I made a note not to ask that question again.  But then again, very little seems normal at the moment.  Perhaps that in itself is a good conversation starter. 


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01 Nov

Long-Form Interviews Journalism

Jane Hutcheon

Here's a podcast of a recent panel discussion I took part in on long-form interviewing. The discussion took place as part of the New News Conference 2016 at the Wheeler Centre in October. Excellent moderation by Andrew Dodd and thoughtful answers from Philip Chubb and Ramona Koval.

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07 Jul

The Artist's Notebook Life One Plus One

Jane Hutcheon

I first met George Gittoes in Beijing in 1998.  He had an artist's residency.  I was the resident correspondent.  He wanted to paint people and life.  He disappeared for a little while.  Then the day before he left, he turned up looking like a pizza delivery guy.  Like a waiter, he held two small oil paintings up near his shoulders.  They were my farewell gift and they had been freshly painted. as a gift. 

This one is the Journey:

This is the little Chinese Gymnast.













George and I drifted apart.  I was doing my war reporting in relative safety.  He was living life large in the most dangerous places you could nominate.

Then his name popped up when he won the 2015 Sydney Peace Prize.

I discovered he'd been making documentaries and taking incredible photos to add to his incredible body of artwork.  

Then in May, I interviewed him at the South Coast home he shares with his partner musician Hellen Rose (and their dogs).

He is delighted to see the little oil paintings he gave me once again and he offers to clean them.

But it was his notebooks that captured my imagination.  

They are the works of art that the public isn't likely to see, yet they imprint the essence of his travels.  They lasso his emotions and thoughts that then bleed into his grander canvases.








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06 May

Friday Scribbler Personal Life

Jane Hutcheon

For six months a year, the beach is mine.  This is how it looks when it belongs to me; just like this.

The hoards are gone. They mistakenly populate the beach at the least nice time of the year and vacate at the very best time of the year. But perhaps I won’t mention it to the hoards who don't know this.

I was about to enter a stupidly expensive ‘Delicatessen’ when a woman in a tracksuit, sitting on a bench outside, spoke to.

“Can I have some money to buy a coffee at Gusto’s?” she asked.

My brain was misfiring with the following dot-points:

  • The woman in the tracksuit knows the coffee shop well enough to name it
  • She did not look like a drug abuser, although that is impossible to tell these days
  • I do not like giving people on the street money except The Big Issue sellers, the Friday charity days or a few private causes, because I worry the money will be spent on drugs.
  • The lady in the tracksuit was very polite and I liked her

I said, “No, sorry.” That’s what I usually say.

But I really did want her to have a coffee at Gusto’s so I found $5 in coins and went outside again.

“This is for coffee,” I said smiling sternly, “not for anything else.”

“Oh don’t you worry, that’s what I’m going to get.  Thank-you so much darling.”

I went into the stupidly expensive Delicatessen and bought one tin of beetroot, two raw carrots and three bread rolls.

When I came out, the woman in the tracksuit was still there.  I looked surprised.

“Don’t worry Miss, I’m going to get a coffee over at Gusto’s, but if I get another $6 I can get a bagel as well!”

I smiled. She’s just wants everyone else to pay for her breakfast.

“I don’t drink and I don’t smoke. I gave up smoking a month and a half ago,” she said.

I wanted to say, “What about drugs?” but I didn’t. She didn’t seem like a drug abuser, although as I’ve said it’s impossible to tell these days.  People might think that about me.

I headed home past my beach, thinking about Lily Brett.  I met her this week.  I got to interview her and spoke with her afterwards about writing.

She thinks journalists can be very hard on themselves when it comes to writing.  She was never trained as a journalist.  She just started to write.

So I am going home to write and think about Lily Brett.

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